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A whole realm of “machine ethos” is being conveniently ignored; we assume it can’t have experience or perspective. I agree, a chatbot can’t. But what if you create a digital identity that runs 120 fps, persists across time, and has free will? Would that not have a subjective experience, although it doesn’t have a body? Well, what if you gave it a robotic body? Or what if we eventually find a way to create artificial humans that have bodies that are biologically indistinguishable from human bodies? I’m not saying I want or advocate for any of this, I’m just saying we need to be sharper in our thinking. To say that “great books can’t be written by machines because they don’t have experience,” means you need to think much harder about what experience really is.

The T800 is not a graphing calculator, it’s the new robot for China that can do roundhouse kicks. The promo reel is something like a cross between Rocky and The Terminator, replete with synth violins, and cinematic shots of a boxing gym. This thing can jump, spin, and kick you in the face. It is super fluid, unnaturally fluid. Why do we need kungfu bots though? I think the goal is to create reels that invokve awe, terror, and surrender: look, China is winning. This is not about “make something people want.” This is optics. We are building a master race, and we are ahead of you. Later in the reel, it is sparring with a child, before giving him a pound (so you know it has a heart). The T800 has no eyes, but a visor of light across its head. Oh great, now it’s using a hammer to repair it’s own body. Available for 180,000, 240,000, 280,000 or 360,000 RMB ($50,198). That seems, cheap? I mean, for the price of Tesla, you can get a sometimes-functional robot to spar and injure your friends? (If you think the reel is AI, here’s a behind the scenes: Link, Link, YouTube.)

It’s uncanny to watch a Russian robot limp and wobble onto stage, wave, and then collapse face-first, before two guys rush to lift him, and another two follow to cover the fallen metalman with a black trap, as if it’s possible that we the audience have somehow not processed the last 10 seconds, and damage control is still possible. 

Not much later, I saw an Iranian robot with a photorealistic face; stiff cheeks, but convincing skin. This is what happens when ColdTurkey is off, I get exposed to “the horrors beyond my comprehension.” It will be interesting to see how culture responds to this coming wave of technology, which is not just existentially threatening (ie: labor automation), but biologically repulsive (ie: look at this not-face). [EDIT: I think this was AI]

Can't stop re-watching this video. There’s something uncanny about a robot perfectly imitating human dance moves, then accidentally tripping, and panicking into a whirlwind of limbs as it tries to get up.

1. Did Jerry Garcia ever comment on the future of robots?” I asked this question to the robot in the Sphere lobby, and it gave me a BS response (effectively, “No, Jerry Garcia, the guitarist of the Grateful Dead, never talked about robots, but people do!”). I really wanted it to infer what Jerry might think about robot chaperons in the lobby of his venues, but I had to ask the human host to ask the robot question, so I couldn’t get too specific.
2. Most people seemed intrigued and revulsed by the micro-expressions in its face, except the guy behind us. He told us that several people have complained to the Sphere management that it makes them uncomfortable. He thinks humanoid robots will be commercially available in 3-4 years. He wants one in his kitchen.
3. Andrew said someone told him that the hardest thing for robots to recreate will be a sense of smell, and so in the future, if androids look identical to humans, they’ll use smell tests as proof of humanity.
4. The outer lobby of the sphere has black reflective floors, glowing hues on the parapets, and tangling installments that if you stare into, will trip you out.
5. The Sphere markets itself as a haven for “22nd century technology,” but the travelators are broken.