What we have is much worse than a king
The scapegoat of the shadow monster
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The scapegoat of the shadow monster
I find “do you believe in God?” to be an impossibly vague question. Which god? The Christian God? Old Testament God? One or all of the Hindu Gods? Chris Farley God? I guess the question I find more interesting is asking “what is God?” and even better, “What is your most specific conception of God, what is required of you in your relationship to ‘it,’ and how does your life change because of that relationship?”
An atheist is one who just ignores this line of questioning. They’d say, “There is no supernatural, I can use logic to disprove it, so I can dunk on superstitious believers.” And if that’s all God is, then you’re missing out on a whole dimension of existence. As if you’ve never had sex. Or tried a mind-altering drug. Or whatever. SYK, I am an understudied heretical Greek Orthodox Christian. Being understudied and heretical is a bad combination, because I am likely refuting points I don’t understand, but alas, that is what I am, and I hope to each year become more studied and more heretical.
My intuition is that the Christian notion of God and Christ is misguided, malformed, not living up to its potential, with a whole bunch of categorial mistakes. SYK, again (so you know), I don’t dismiss it, and would even say that “becoming Christ like” is the most important thing you can do, and that can all be true without him literally having a virgin mother or resurrecting from the dead. We can respect and worship mythology without demanding it to be physically real. The metaphysics matter more!
But metaphysically, here’s what’s wrong with God. In my model, God does not have consciousness, meaning it’s not a real-time entity, looking down on each of us, listening to our prayers. God is also not the admin of a shared server where we all go when we die; there can be an afterlife Odyssey more beautiful and supernatural than anything we can conceive, but maybe it is single player and lives in our head and stretches our 3-minute death into 3,000 years experiential years in dream-space. Who knows. I think the main point I want to debate is that God isn’t conscious.
“Divine intelligence” makes more sense to me, and is a different thing than consciousness. Humans and animals and maybe even machines, can have consciousness, but God is greater than all of that. God is more akin to the arena, the thing that all agents live within. God is not the whole arena though, more like a property within it. If we’re talking about “divine intelligence,” this veers into “intelligent design,” which IIC is something like, “the structures in nature are so elegant and unlikely that someone external must have designed this!” This taps into “God’s plan” territory. Again, this sees God as an omnipotent architect, with great intention between all decisions. This doesn’t seem to be the case. There is the theodicy question: why does suffering exist? Why serial killers and avalanches and Hitler and the vast nothingness? Why is that part of the design? There are all sorts of rationalizations (“to develop our character”). More likely, I think it’s more of a spray-and-pray design, a chaos generator.
The universe is a cumshot. Consider how many billions of sperm are needed in order for one of them to find the egg, for conception to happen, the miracle of life. This seems to happen at all scales of nature. Redundancies matter! If we are cosmicaly inside one tier of a fabrege egg, black holes burrowing into new space-time pockets, exploding matter endlessly inward, then there really is a raging, uncontrollable, chaotic force at the root of everything, and it doesn't have a plan! That is terrifying. Yet, from all the noise, two particles come into proximity, orbit, fuse, bind, transcend themselves into a higher order of novelty, harmony. This is God, I think, and it happens at every scale. You need a blind, idiotic chaos generator to create a supermassive variety of things, and God is the rare and unlikely event when two things come into contact to form something beautiful, to make a third. Love.
I guess “God is Love” is the most accurate theological statement I can get behind, because it explains every scale: the cosmological one, the societal one, the interpersonal one, the creative one, the psychological one.
On my walk this morning, I had a few strange ideas, building off the white hole / black hole thing, but also around what “God” is. The universe is a chaos engine. A blackhole sucks in a particular profile of material, and it shoots it out the other end, through a “big bang.” It is mostly noise, collision, non-sense, or nothing, but a separate system is harmonizing, filtering, grouping, cohering, ascending. You might call this “God” or “intelligent design.” (Excuse me for all this imprecise folk science; perhaps one day I will properly research this and upgrade my terminology).
An important caveat is that God is not an architect, not a designer, drawing floor plans, or even a “plan” for everyone or anyone’s life. God is an emergent intelligence. From chaotic explosions, God is the unbelievability that 2 of 2 trillion things can combine or cohere, and then sustain on, and continue moving up the abstraction ladder. The fact that anything can cohere at all is a miracle, and the degree that it can move up the chain is even more so miraculous.
I think this model helps explain “why is there evil the world?” Why floods and bombs? It’s because God is not as all-controlling as we think; he spawns reality as we know it, but does not tinker or micromanage. In no way is God conscious. In some way God is the pairing of things to generate life, and so in a very literal sense, I get now the phrase, “God is Love.”
Love is the fusion of two things that produces a third thing, and that goes to parenting, art, or whatever. Worth noting that love is not absolute. There may be loveless universes, ones that never cohere, that are just noise and nothingness for trillions of years. There could also be universes with far more love.
(...A sublime lens to see your surroundings on a walk is to realize that everything around, your whole world, the history of your society, and all possible realities on Earth, are all within a single sliver of what is possible in the physical engine of the Universe...)
Now, another extension of this thought is that human beings are at a certain level up the chain of the system that they have become “like Gods” or “in the image of God” which means that they’re able to both generate a lot of noise, and also cohere into even higher and higher things; arguable the human is the next link in God’s chain, and we are not the end state (there is no end state!) but our ability to make coherent things is a continuation of God’s process. This means technology isn’t evil, but Godly, but of course, most harmony decays and wobbles, which is what is happening.
I wonder if there’s even a limit to the advances of God into harmony and complexity in the material world, and the task has now been handed over to humans, who can make things beyond the complexities of atoms and galaxies. In that sense, God has made a population of Gods. And somewhere along the line, Christ comes in.
Christ, not as the literal embodiment in Christianity, but more like the logos imbued within the the "sons of God." If our father is a human, then we as his child is human too; so if God is our father, are we not Gods ourselves? But to be Christ-like is different, because God has no morality. In some way, God is unconscious, just an intelligence engine, trying to bring harmony, and to escalate matter to higher levels. God’s counter force has to spray and pray for the hope that God can find some unlikely combination. Christ however, attempts to limit generation, be more intentful with it, and to aim it towards good. Christ is an attempt to steer the self, the other, society, towards higher levels of harmony.
Why essays see what algorithms can't (the themes in The Best Internet Essays 2025)
I remember flipping through TIME’s 1999 Year in Review in elementary school, thinking some all-seeing committee had seen it all, reporting on the celebrities, wars, and gadgets that would one day make a history textbook. It wasn’t just a recap of the year, but a pivot into the millennium. It…
read essay →Why am I so engaged with the news these days? I think it’s part of a deeper desire to update my world model. There is no doubt, massive change. Geopolitical, economic, technological. And as abstract as those things usually are, it feels like some sort of shift that, in 2-3 years time, wil have an effect on my life. Of course, for many people in the world, it’s hitting them now. But similar to how COVID spared no one, it feels like your model of where things are going will directly effect your preparedness.
But this feels more existential; safety/security are actually on the line. And so that’s an anxious kind of thought, that the tectonic plates under your reality are shifting, and it’s not some recreational yearning to re-skill and recalibrate, but a mandatory thing.
And so to make sense, what do you do, go on X? That’s a total cesspool. New media is worse than the old gatekept media. And so, where I think I want to take this, is to build my own systems to sift through and aggregate information, and to build my own UI to do this. Even a simple Claude prompt, “what happened in Iran in the last 4 hours” is so much better than X. It’s stripped of sensationalism, and reading is just a less triggering medium. Bias aside, it’s at least free from people who are intentionally trying to deceive you for virality. There is a clout-chasing incentive, paired with actually turbulent times, which makes algorithmic news something like a schizophrenia filter.
And so what are these questions, these underlying uncertainties that are triggering a model change? How will anyone make income with the rise of AGI-3 and eventually ASI? How do I exist online and avoid hyper-surveillance and cyber-sabotage? Where in the world can I live to build a better future for my daughter, one where colleges doesn’t exist, jobs don’t exist, and where quality of life actually depends on nationalized social systems? A weird future. And weird to consider the fall of America, a kind of reverse migration, where, because of a confluence events, it might not be a place to raise a family in 1-2 generations down the line.
And so practically, this is resulting in things like: (a) applying for EU citizenship, (b) setting up AI agents for my business, and (c) considering cybersecurity, new ways to protect, share, and collaborate on writing (ie: how do you build an audience if the commons are polluted?). This is all very disorienting; it's hard to continue with business as usual when you become open to this scale of change.
Reply to Visa (Visakan Verasmy) on X: "Check out NeosVR. It shut down a few years ago, but it was crowdfunded and led by a single Czech developer for $150k/yr or so, and it had a community of a few hundred VR furries, roleplaying and shapeshifting, living and coding their own engine from the inside, basically all day. I went in there a few times, and it was countercultural and totally shocking. Digital drugs and currencies and 3D coding and alien norms. I felt something like a child around wizards. Felt like the actual vision of the metaverse, for prob 100,000x less cost. Sucks that it shut down, but seems like they shifted to something else called Resonite. Makes me believe, though, that different Metaverses exist right now, but they have <100 hardcore hobbyists each, and they don't necessarily want to be found."
“The Internet needs a quality algorithm.” This was the opening line of my essay prize announcement, and I want to revisit it now that it's done. Is there a correlation between writing quality and audience size?
Algorithms are low-trust right now because they’re adversarial—“for you” gaslighting (usually)—and they reward engagement, popularity, monetization, etc. The 2010s-era algorithms are based on discrete events: clicks, likes, measurable things. They might look at keywords to guess the topic of an essay, but it’s effectively blind to the overall quality of a piece. Quality is nebulous, after all. Small magazines can each have their own vision of what’s good, but for a million/billion-person network, there’s no consensus, and quantity is way more important anyway.
So this essay competition was a v1 attempt to define and search for quality. The overall search space was small, but it was a chance to experiment with curation, and resulted in The Best Internet Essays 2025. It’s interesting to me that the featured writers ended up varying in audience size, evenly distributed between 10s, to 100s, to 1,000s, to 10,000+ subscribers.
Again, limited sample, but interesting to ponder: the tangible thing (reach) is a power law distribution (1% have big audiences), but the intangible thing (quality), the thing that matters more, is independent of scale. It means that for all the great writers with 10k audiences who are highly visible, there are possibly 100x writers of similar caliber who are undiscovered, in algorithmic obscurity.
This isn’t too surprising, and the usual reply is, “well it’s not enough to write well, it’s your responsibility to be consistent, to be your own marketer and publicist, to make sure your work gets read.” I get that this is what’s been required, but what if it weren’t? Wouldn’t it be better if a platform could search for quality at scale so writers could just do their thing? This would also give visibility to those who aren't full-time writers, people who publish 1-2 essays per year around the interesting problems they’re working on, but have no bandwidth to build an audience each week.
Still have to think through v2, the 2026 prize, but the question in my mind is how can I expand the search space? Can I have agents scan the Internet, assemble RSS feeds to find great essays, design an algorithm to filter for the previously intangible, build community into the process, and then curate/share the stuff that comes through? The aspiration is to get better each year at surfacing great essays from independent writers on the basis of merit, and this book is what came through the first pass.
I conveyed the conspiracy to my wife and her mother that Ellen Degeneres & Co. actually ate Stanely Kubrick after they realized what he was trying to push through the full uncut version of Eyes Wide Shut. I guess the Epstein files are bringing back longstanding rumors on satanic and ritualistic cannibalism. The most disgusting thing I read—which I did not share with them, for not wanting to evoke imagery of infant harm, and so STOP HERE if you're sensitive to that— was that Melania and Trump were on a yacht with Epstein, and they witnessed cannibals dismember babies, take out their intestines, and eat feces from it, which is absolutely inhuman and vile on so many levels, and I can barely understand why such a thing would even occur. Maybe there’s an elite postures where Epstein was boastful about his depravity: “look what I can orchestrate.” Or maybe (and most likely) the emails are intentionally fake to falsely incriminate others down the line? Either way, I find it very strange that such visceral images are entering public consciousness and large masses of people believe it.
Congrats to Tommy Dixon and the 10 finalists in our new print anthology, The Best Internet Essays 2025
A friend texted me this weekend— “I am too addicted to Claude code and need to touch grass. You said I should read an essay book can you recommend one that I can order physical” —not knowing I was about to launch The Best Internet Essays 2025 . This little book, a 4.25” paperback that fits in my…
read essay ↗We’re printing the Internet. Remarkable essays are published online every day, but they’re only getting harder to find. This is a first attempt to find the signal in the slop: a hardcore judging process, 13 essays that capture our times, all in a pocket-sized paperback.
100% of royalties go to the writers, judges, and the 2026 prize pool.
Featured writers: Tommy Dixon, Matt Švarcs Richardson, Lily, James Taylor Foreman, Alissa Mears, Kylan Emms, Noelle Perdue, Max Nussenbaum, Catherine Melo, Simon Sarris, Garrett Kincaid. Judges: Henrik Karlsson, Charlie Bleecker, Alex Dobrenko`, CansaFis Foote, Elle Griffin, Dylan O'Sullivan, Jasmine Sun, Isabel, and Lellida Marinelli.